24-27 Dec 2022 at Kwai Tsing Theatre, Hong Kong

動物園明星斑馬意外身亡，動物園園長為求生計，去咗驢棚度夾計想整隻新「明星」見觀眾，與此同時，佢個仔救咗個動物保護主義者……

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無休止的遊擊戰中，幾個軍人討論應唔應該詐死，同時遇上一個戰地攝影師。面對住死亡，喺鏡頭下，佢地應該「笑定唔笑」？

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編劇：鄧世昌

導演：陳翊麒

演員：魯文傑、黃衍仁、巢嘉倫、王俊傑、莫鎮彤、楊灝軒、魏灝麟、黃婉華

湖泊男兒 Lakeboat by David Mamet (Producer)

6-10 Oct 2021 at On & On Theatre, Hong Kong

湖泊圍爐 食煙飲酒講粗口
麻甩擱淺 百無聊賴鳩流流

湖船上，夜廚缺席，新丁替補。船員對此掀起想像，亦為航程泛起浪花...

超自然之戀 Larger Than Life (Assistant to Director)

13-15 May 2021 at Hong Kong City Hall, Hong Kong

Julien, a middle-aged playboy, receives a charming robot with a feminine appearance named Chloé as a birthday gift from his friend François. Finding Chloé an ideal woman after she is programmed with memories and sentiments, Julien falls in love with her. Everything is on the right track until she brings up the idea of giving birth to a baby…

兩夫妻 Scenes from a Marriage by Ingmar Bergman (assistant to director)

20-28 Mar 2021 at The Box, Freespace, Hong Kong

In their 20 years together, a seemingly ideal couple have gone through various changes in their relationship, from falling in love through betrayals and splitting up to getting back together. In such intimate proximity, many things have been revealed – their yearning for a shared life, the boredom of daily routine, conflicts behind passion, affection that cannot be expressed – and this, eventually, enables them to grasp the mystery of love that has accompanied them on their journey.

When it premiered in 1973, the original TV series created a sensation in Sweden. Film and theatre versions followed, tugging at the heartstrings of everyone throughout the world. Nearly 50 years on, in a time full of chaos and restlessness, Scenes from a Marriage still has the power to go straight to our hearts.

馬克白 Macbeth by William Shakespeare (Assistant to Director)

2017-2019 in Shanghai, Wuhan, Taipei, Guang Zhou, Hong Kong, Shenzhen, The Globe Neuss Shakespeare Festival, Sibiu International Theatre Festival, Berlin, Vienna, Warsaw, Indijia

A modern couple makes a dream in which they enter into the universe of Macbeth in a buried past of ancient China, assuming the roles of Macbeth and Lady Macbeth and encountering the different characters in the play. Upon on getting out of the dream where the dark side of humanity is experienced, the couple begins to contemplate their possible place in this contemporary realm of turbulence.

Inspired by the tradition of Asian physical theatre, this version of Macbeth transmits the spirit of the play through a succession of stylised images, where body expression, physical movements and live accompaniment expose the characters' relationship as well as the director's vision of time and space.

金錢世界 LIES by Ontroerend Goed & Hong Kong Arts Festival (assistant director)

12 - 24 Mar 2019 at F Hall Studio, Tai Kwun, Hong Kong

fter its 2015 HKAF production Fight Night, Ontroerend Goed brings another entertaining interactive piece to Hong Kong.
Taste the heady atmosphere of trading markets, and feel the heat of money. In this thrilling game-inspired experience, you call the shots. Become part of the super-rich, the elite 1% who control the global economy. £¥€$ offers a captivating glimpse into the recesses of human behavior. It makes your heart beat faster and your head spin.
At a gaming table, directed by a croupier, you start your own bank. In this den of scheming and trading, it’s your adrenalin and investment decisions – not the roll of dice – that matter. There may be no time for ethics; you’re in to win. Things get complicated: you can up your risk, trade in debt, make mergers and acquisitions. How’s your credit rating? Who gets bailed out, who gets junk status, who implodes? Are you really in control or are you being played? 
£¥€$ lets you peek beyond the razzmatazz of high finance and into the inner sanctum of global monetary systems. In the process, you might even make the world a better place.
In this game-inspired production, experience a new edition of Ontroerend Goed’s award-winning breed of interactive theater with locally cast dealer-actors.

就讓世界黑下去吧！Our Death Won't Hurt Anybody - Part 1

A play by Teatro de los Sentidos and
Tang Shu-wing Theatre Studio (Assistant to Director)

6 — 8 July 2018 at Sala Teatre, Barcelona

The seeds of Our Death Won't Hurt Anybody were planted in 2015 during a meeting between Tang Shu-wing, artistic director of the Tang Shu-wing Theater Studio in Hong Kong, and Enrique Vargas, playwright and anthropologist at the Teatro de los Sentidos in Barcelona. The meeting, a workshop organized by the West Kowloon Cultural District of Hong Kong, gave birth to a wish to collaborate in a staging based on research on Humanity, based on the intersection between taxation and the senses; a work that also had to explore the unknown connections between images and narratives that were neither linear nor coherent, and that showed the importance of triggering the imagination of the spectators. As Schopenhauer said: let the spectators complete the last part of the aesthetic journey themselves.

Our Death Won't Hurt Anybody is loosely based on Sunzi's Art of War, an ancient treaty of military tactics that was written around the fifth century BC, when many of the realms of what is now China were in ongoing conflict. Both Tang and Vargas were attracted to a text that suggested connections with the absurdities and contradictions of the contemporary world in which we live.

Because fighting is a constant in our existence; from the battles that we have to establish navigating between the relations we maintain with those around us, to the wars between nations and our own internal struggles. Loosely inspired in the ten main tactics that appear in this Chinese classic, Our Death Won't Hurt Anybody delves into the thinking behind these strategies and reflects on their relevance in having to face our daily life.

她和他意識之流 Stream of consciousness (Actor)

27-30 Apr 2018 at Fringe Club, Hong Kong

凝結在藝穗會時空的Ben，與不存在於時間的Christina，連同幾名徘徊在意識之流的人物，在看似同一個地方，也許是一個故事裡，等着你，闡述他們各自表述的，愛情與經歷。

延續大受好評的體驗劇場《她和他的時間之流》，今年四月藝穗會邀你再次探索這幢百年建築，讓觀眾於難以界定為劇場或展覽的地方自由歷險。

演出由甄拔濤編劇及導演，及資深劇場導演及演員胡智健聯合導演，另有 「香港藝術發展獎2016 - 藝術新秀奬（視覺藝術）」劉學成為美術指導，再一次讓藝穗會百年大樓化身時光隧道， 讓觀眾在意識層裡的不同房間之中，找尋她和他，及殘留在這片地方裡的回憶、感受。

姐姐 the help (director, producer)

23-25 Mar 2018 at Multi-media Theatre, HKICC Lee Shau Kee School of Creativity, Hong Kong

Maybe, just maybe,
They have more to bare back at home.
They know more about their rights.
They learn more about child-caring.
They are more educated.
Maybe they consider themselves family, 
Or they wish they're mere acquaintance.

Maybe they are happier.
Or, just maybe, they are so much more than we imagined.

What are the stories behind domestic helpers? What are their impacts on local families? How do they influence their children and ours? With a population of nearly 350000, domestic helpers are a group we would like to understand more, starting from us to them.

她和他的時間之流 (Actor)

24-27 Nov 2017 at Fringe Club, Hong Kong

體驗劇場活現藝穗會

聲音導航的集體遊歷

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「從來沒有一種東西叫過去。只有時間的變奏，和變奏之後留下的痕跡。」 《她和他的時間之流》

為了等待她／他，多少杯凍飲未曾喝掉便已化成無味的飲料，像我們早已忘掉藝穗會曾是一座巨型冰窖，如今都在時光中融化、漫溢成時間長流，只有用沉寂百年的生死記憶為羅盤，才能到達融點以前的時空：是每個人的戀愛逸事？是城市寓言？還是戰爭歷史？

這次演出由首位獲得德國「柏林戲劇節劇本市集獎2016」的華人編劇甄拔濤包辦概念創作及編劇，其得獎作《未來簡史》以時空錯置的方式探討人類文明與歷史，這次更讓整幢藝穗會百年大樓化身時光機，把錯亂的時空和「體驗劇場」(Immersive Theatre) 的演出形式融合，帶領觀眾進行一次劇場冒險。

此劇亦找來香港演藝學院表演藝術教育主任李俊亮聯合導演。李氏為資深劇場導演和演員，近年專注劇場教育，其合著的《劇場的用家》更是劇場工作者必讀的工具書。美術指導則由剛奪得「香港藝術發展獎2016 - 藝術新秀奬（視覺藝術）」的劉學成擔任，以他詩意的美術觸覺，把觀眾拉進跳轉的時光之旅。

雖然整幢藝穗會大樓都是演出舞台，但內部依然會維持日常運作，觀眾穿插在餐廳食客、畫廊參觀者之間，靠著每人一部的聲音導航裝置了解眼前的劇情和演員的對白，孤獨地身處現世和過去的時間夾縫。觀眾更會在途中收到各種指令，成為演出的一部分，每一步都是一幕戲，每一次轉身就是一個時代的入口，在一個小時內經歷愛情、戰爭、生死與都市傳說。

離地．到著 The Red Tower (Actor)

3-12 Nov 2017 at 香港藝術中心麥高利小劇場

「立筆寫新」讀演計劃：演出《離地．到着》My Red Tower

「不用因離地而感到不安，黃昏的鐘聲可令你安全到着。」

東京，一個稱不上優雅卻容易產生共鳴的城市。

某年香港的一場大雨，令四位在東京生活的香港人開始懷念一些同聲同氣。
37歲的他，早上擠進JR睡覺，一杯生啤可令他復活，但仍會為習而為常的人身事故感到惋惜。
30歲的她，用納豆加蛋去給自己元氣，在井之頭公園，羨慕着情侶們漫無目的地遊盪，在浸浴中把眼淚留下才能重新振。　
22歲的他，決心在異地落地生根，面對比忍術更難理解的日本女生，以港式日語從高円寺作起點，走出一條自己的路。
19歲的她，習慣出走，但適應力再強也抵抗不了東京式的寂靜，在城市旁觀的烏鴉，或是尋找下一個出口的好伙伴。

沒有一開始便覺得特別的地方，是回憶讓她變得特別和重要。

卡桑德拉 - 表象終結的世界 Kassandra - oder die Welt als Ende der Vorstellung by Kevin Rittberger (Actor)

31 Mar - 10 Apr 2017 at On and On Theatre, Hong Kong

非洲少女Blessing，從家鄉想方設法進入歐洲，本來一個月不到的路程，她足足走了五年。阻撓她的是酷熱沙漠，還是無情邊界？她與青年Babaka相知相遇，一同登上超載的橡皮艇，在比非洲歷史更黑的海洋裡，預見虛假承諾和自由幻影。
千百個不同的難民故事，或其實都一樣？悲劇是否必然，可預見但不可阻止？大海的另一端，歐洲記者、紀錄片導演、作家、翻譯，面對重述與凝視他人之痛，辯論語言的有為與無用，他者的角度在傳頌一場後災難神話。
命運糾纏於希望與絕望之間，潮夕浪濤……

無有識死 (Actor, Producer)

10-13 Mar 2016 at Cultural Activities Hall, Shatin Town Hall, Hong Kong

死之前，想見到佢學識游水。
死之後，想了解佢更多。
死之前，想見返離家出走嘅佢。
死之後，想做一位老師。
死之前，想食多餐佢煮嘅飯。
死之後，想佢可以留到全屍。
死之前，想休息一日。
如果，我哋知道自己幾時死。

死亡，每一個人都必然會經歷。有人會避忌，但面對死亡又束手無策。死者已矣，在世的人該如何好好活下去？節奏急促的香港社會和香港人，又懂得如何處理死亡嗎？

2015年12月，艾菲斯劇團舉辦了《無有識死》－一個關於香港人如何面對死亡的讀劇。我們特地把問卷填寫包含在讀劇內容中，希望透過讀劇了解觀眾對文本及死亡的看法。

2017年3月，《無有識死》將成為一個正式演出。四個全新的故事，全新的創作團隊，讓我們一起思考死亡。

觸怒你，劇場裡的不可能 (Actor)

3-5 Jun 2016 at On and On Theatre, Hong Kong

「這個作品是個序場，它不是別的作品的序場，而是你們過去、現在、未來所作所為的序場。」
《冒犯觀眾》

今時今日，香港社會中發生的種種比一切劇場都更加挑釁、更能挑動情感、更能引起思辨。

那觀眾為什麼還需要劇場？

若觀眾已不需要劇場，劇場是否還要服膺於文化產業的遊戲規則？

愛比資本更冷Deconstructed by René Pollesch (Director, Actor)

15-17 Aug 2015 at On and On Theatre, Hong Kong
29-30 Jun 2016 at Old Court Building Blackbox, Macau

「我們想要錢，但是資本主義者知道什麼對我們更好：愛！於是我覺得：愛一定比資本更冷！」

謎一樣的文本──用映像解構！

資本主義，在西方國家中早已成為統領一切的絕對霸權。
生於香港，我們活在一個資本主義與極權主義交合的社會制度之中。
以瑞內．波列許的文本為出發點，加上劇場與映像，嘗試解剖這窘人困境。